Heavyweight Cinema Showcase
Dan Slevin
At the movies with Dan Slevin
FOR this year’s World Cinema Showcase preview I started with a list of all the films I wanted to see and then realised that I had used up my entire word limit. So, forgive me if these briefs are brief but this year’s Showcase is as heavyweight as it’s ever been (and runs for three days longer so everything can fit).
I’m not sure why one Festival would need two films about New York street photographers but if you have to choose between them, skip Smash His Camera - about the paparazzi self-publicist Ron Gallela - and tune in to the delightful Bill Cunningham New York instead.
David Guggenheim’s Waiting for “Superman” is about as powerful and moving as you’d expect from a nakedly manipulative exposé of the American education system. It will make you mad but I hope it will also encourage spirited debate and further reading. Waste Land starts off unpromisingly. It looks like a standard “follow an artist around while he makes his work” sort of film but when affable Brazilian Vik Muniz goes to the world’s largest landfill to tell the stories of the itinerant “pickers” - who make a tiny living sorting the recyclables from the garbage - it turns into something else, something genuinely uplifting.
I’m not quite sure how this has come about but five of my top ten documentaries of recent years have been about heavy metal. Lemmy, about the surprisingly kindhearted elder statesman of rock Motörhead’s Lemmy Kilmister, has gone into that top ten too. I didn’t want to give that one back when I’d finished with it.
There are two Afghan War documentaries too. I only got to see Restrepo, made for National Geographic by brave/reckless journalists Tim Hetherington and Sebastian Junger. Following one company sitting in an exposed position in the most dangerous valley in Afghanistan (for 15 months!) it’s as if there had been cameras in Gallipoli - the crazy pointlessness of the entire “War on Terror” exercise is made totally clear by focusing on just one story: consummate documentary making.
In the features section there are at least two contenders for masterpiece status: Of Gods and Men is going to get a lot of attention - and deservedly so - but don’t overlook Mohammad Rasoulof’s beautiful and hypnotic White Meadows. In a remote part of Iran - where there seems to be no horizon - an inscrutable man rows the salty lake between the salty islands and the salty flats, harvesting the salty tears of the superstitious locals. Mesmerizing.
There’s plenty more - the World Cinema Showcase runs from Thursday (tomorrow) until Saturday 30 April at the Paramount.
FOR this year’s World Cinema Showcase preview I started with a list of all the films I wanted to see and then realised that I had used up my entire word limit. So, forgive me if these briefs are brief but this year’s Showcase is as heavyweight as it’s ever been (and runs for three days longer so everything can fit).
I’m not sure why one Festival would need two films about New York street photographers but if you have to choose between them, skip Smash His Camera - about the paparazzi self-publicist Ron Gallela - and tune in to the delightful Bill Cunningham New York instead.
David Guggenheim’s Waiting for “Superman” is about as powerful and moving as you’d expect from a nakedly manipulative exposé of the American education system. It will make you mad but I hope it will also encourage spirited debate and further reading. Waste Land starts off unpromisingly. It looks like a standard “follow an artist around while he makes his work” sort of film but when affable Brazilian Vik Muniz goes to the world’s largest landfill to tell the stories of the itinerant “pickers” - who make a tiny living sorting the recyclables from the garbage - it turns into something else, something genuinely uplifting.
I’m not quite sure how this has come about but five of my top ten documentaries of recent years have been about heavy metal. Lemmy, about the surprisingly kindhearted elder statesman of rock Motörhead’s Lemmy Kilmister, has gone into that top ten too. I didn’t want to give that one back when I’d finished with it.
There are two Afghan War documentaries too. I only got to see Restrepo, made for National Geographic by brave/reckless journalists Tim Hetherington and Sebastian Junger. Following one company sitting in an exposed position in the most dangerous valley in Afghanistan (for 15 months!) it’s as if there had been cameras in Gallipoli - the crazy pointlessness of the entire “War on Terror” exercise is made totally clear by focusing on just one story: consummate documentary making.
In the features section there are at least two contenders for masterpiece status: Of Gods and Men is going to get a lot of attention - and deservedly so - but don’t overlook Mohammad Rasoulof’s beautiful and hypnotic White Meadows. In a remote part of Iran - where there seems to be no horizon - an inscrutable man rows the salty lake between the salty islands and the salty flats, harvesting the salty tears of the superstitious locals. Mesmerizing.
There’s plenty more - the World Cinema Showcase runs from Thursday (tomorrow) until Saturday 30 April at the Paramount.
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